Happy Couple perform “Lullaby of Broadland”
Happy Couple perform “Hardley Flood”
Happy Couple perform “Sparkling Horizon”
Andrew Sharpley performs “17:46”
Charles Hayward performs “Slow Train”
Charles Hayward performs “That Distant Light”
2023.02.23
The Annual Club Integral Resonance FM Benefit
Art Terry
is a conceptual Black artist from Los Angeles. His primary
practice is as a composer/musician. His songs explore Black
politics, sexuality and religion, through a lyrical fusion
[gumbo] of African American folklore and hauntological
funk. A singer and pianist, Art underpins deeply personal
lyrics with dense melodic textures to create conceptual Black
music.
Brought up in the gospel tradition, Art evokes the sacred
figure of the robed and commanding preacher alongside the
profane swagger and bravado of the street-hustling savant in
his live performances. Whether playing solo or with his
ensemble of talented musicians, The Black Bohemians, Art’s
live performances are theatrical and compelling.
Art collaborates with Stew, who created the musical Passing
Strange, exploring his and Art’s youthful experiences on the
seamy streets of downtown Los Angeles and in Europe, living
in squats and art collectives and surviving on a diet of
shoplifted food, hashish and freaky music.
Passing Strange was made into a film by Spike Lee. Art has
been a keyboardist with Stew & the Negro Problem at the
Kennedy Centre in Washington DC, Redcat in Los Angeles,
the Harlem Stage and many other venues.
The New York Times described Art’s playing as ‘terrific’.
An evening dedicated to fundraising for the London-based experimental music radio station Resonance FM.
With performance by Art Terry, Atsuko Kamura, Digital Roses and Eugene Coyne.
Atsuko Kamura
One of Tokyo’s most emotive and inventive singers, part of
Japan’s 80s women’s liberation movement, Atsuko Kamura
founded the first Japanese feminist rock band, Mizutama
Shobodan, also known as Polkadot Fire Brigade. As agitprop
feminist pioneers. Mizutama Shobodan toured Japan
extensively and released two albums, the second of which,
Manten ni Akai Hanabira (Red Petals in the Sky) was
produced by Fred Frith.
She also performed with Tenko at the International Women’s
Music Festival in Montreal in 1988 as the female vocal duo
Honeymoons, which went on to tour the US. The
Honeymoons also performed with seminal New York
improvisers, Tom Cora and John Zorn. Their album
“Laughing Myth”, produced by Kenichi Takeda, was released
in 1982. As a member of the improvisation group, “Uzo
Muzo”, she performed at Strasbourg’s Musica Festival in
1987.
Atsuko joined Kazuko Hohki’s UK based Japanese pop group
Frank Chickens in 1988 and toured Europe, the US, New
Zealand, Australia, Canada, USSR and Japan. In 2002 she
began working with Robert Storey and a new ensemble called
I am A Kamura. Alongside this project, she performed with
Anglo-Japanese jazz progressive rock band, Setsubun Bean
Unit at the Sonar festival in Barcelona in 2007.Her latest
project, Kamura Obscura, released the albums Melt, Socrates’
Garden and Speleology. Kamura Obscura’s latest album “4
AM Diary” came out in December 2021. Atsuko performed as
a traditional Benshi narrator alongside a live score by
Sinestro Home Video at the Flat Pack Film Festival in 2019.
Kamura Obscura also supported the Nightingales’ sold-out
UK tour in autumn 2021.
Eugene Coyne
South London-based singer-songwriter Eugene Coyne offers
up a witchy mix of hard rock glyphs and acid folk
hallucination, pastoral but with an underlying threat of pug
rock ultra-violence.
Digital Roses
Digital Roses are hyper soul audiovisual sonic
witches making experimental art pop music and
ambient noise.The Digital Roses are Trudi Veremu
and Joanna Ramsay Patel.
www.instagram.com/digitalrosesmusic
www.digitalrosesmusic.com
Anthony Moore
(Slapp Happy & Henry Cow), Richard Moore (no relation), Keith Rodway
and Amanda Thompson play an evening of electro-acoustic improvisation
and spoken words over 80 minutes of atmospheric drift – a dark cinema for
the ears. With Ed Baxter live narration on “Lancing Beach Green” and
“Pulmonary Breath Sounds”.
Anthony Moore (b. August 1948) is a composer/musician, now based in the
UK, formerly professor in Cologne for sound art and music, working on the
social and technical history of sound.
In 1970 he moved to Hamburg, Germany where he worked with a number of
underground film makers, experimenting with sound and non-narrative
structure. In 1971 Polygram recorded three albums of his work, “Pieces from
the Cloudland Ballroom”, “Secrets of the Blue Bag” and “Reed, Whistle &
Sticks”.
In 1972 he formed the group Slapp Happy with Dagmar Krause and Peter
Blegvad. In 1978 he released his album, “Flying Doesn’t Help”.
He operates across many genres; ambient drone, musique concrète,
electroacoustic, songwriting and immersive, multi-channel sound
installations. He continues to compose, perform and release work on various
labels such as Touch, Drag City (Chicago), P-Vine (Tokyo) and others.
London and Birmingham
Club Integral at Iklectic
are duo Sam Owen and Max Simpson,
vocalist/multi-instrumentalists from the band
Pram (Domino Records).
Their music occupies the darker, more
haunted, fragile end of Pram's spectrum with
music boxes, violin, flute, glockenspiel, toy
accordion and ethereal vocals.
It makes nods to Hammer Horror, public
information films, 1970s children's television
and Eastern European surrealist cinema.
Their live performance marries unsettling
monochrome projections with loop pedals,
acoustic experimentation, sampled sounds and
the vintage electronics of Omnichord, car boot
Casios and air-synth.
They will be bringing some new material as
well as playing tracks from their mini LP
Another Place (Ondes Positive Recordings).
https://www.facebook.com/mothsofthemoon
https://youtu.be/XYc1VpiAt4o
DJ Ray Vorg
Moths of the Moon
Judy Brush
AKA
Anna
Palmer
from
Dorcha
plays
tunes
of
unforgiving
alt-folk.
Psychedelic,
hip
shaking
rock
and
roll.
Judy
Brush
played
opening
shows
for
Pigs,
Pigs,
Pigs,
Pigs,
Pigs, Pigs, Pigs, on their UK tour.
With
the
odd
punk
disco
thrown
in.
A
desperado
clinging
on
to
the
realest
of
real
with
tape
cassette
in
hand.
Take
your
stone
cold
turkey
twizzlers
to
the
floor
baby
and
loosen
them
up
a
little.
Her
debut
single,
Hot
Tub,
is
the
first
offering
of
dirge-pop
birthed
from
deep
within
the
loins of Judy Brush.
“Once the electronic drums and the overlaying of
noise and heavy overdubs come in, you realise you
have been unsuspectedly sucked into one of THE
most powerful and all-encompassing 2.32 minutes
I’ve experienced for a long time.”
Loan Humphyreys, Joyzine, April, 2023
WEBSITE
https://annapalmermusic.wixsite.com/mysite/judy-
brush
BANDCAMP
https://judybrush.bandcamp.com/track/hot-tub
VIDEOS
https://youtu.be/E8oStg6mpWQ
Kazuhisa Uchihashi
Born
in
1959
in
Osaka,
Uchihashi
began
to
play
the
guitar
at
age
12.
He
plays
a
huge
variety
of
music,
having
a
distinctive
musical
voice
in
rock,
jazz
and
improvised music.
In
his
solo
project,
he
plays
a
guitar
and
daxofone
to
create
a
totally
orchestrated
soundscape,
blurring
a
border
of
improvisation
and
composition.
collaborators.
Daxofone
is
a
creation
of
the
late
guitarist/inventor,
Hans
Reichel,
who
was
a
creative
partner of Uchihashi.
He
composed
widely
for
film,
theatre
and
dance
and
has
been
the
musical
director
for
Osaka
theatre
group
“Ishinha”
for
over
20
years.
He
is
a
founder
member
of
the
legendary
Japanese
power
trio
Altered
States,
and
he
also
worked
inside
Otomo
Yoshihide's Ground Zero in the 1990s.
He
has
held
improvisation
workshops
(a
project
known
as
New
Music
Action)
in
various
cities
in
Japan,
as
well
as
London,
Oslo,
and
currently
in
Vienna
also.
His
international
music
collaborators
are spread worldwide.
In
recent
years,
he
has
focused
on
pan-asian
identity
in
music.
Since
2010
he's
traveled
to
Asian
countries
to
create
special
collaborative
projects
with
local
musicians.
Mahanyawa
is
one
of
the
best
collaboration units with SENYAWA from Indonesia.
Uchihashi
has
set
up
his
own
record
label,
Innocent
Records
a.k.a.
Zenbei
Records,
had
held
a
music
festival
annually
since
1996
Festival
BEYOND
INNOCENCE.
WEBSITE
https://innocentrecord.com
Wiki
https://en.wikipedia.org/wiki/Kazuhisa_Uchihashi
BANDCAMP
https://innocentrecords.bandcamp.com/
VIDEOS
https://www.youtube.com/watch?v=HYSIY0CYT88
Theatre Company: Ishinha
https://www.youtube.com/watch?v=yRK1hJ9K-v0
Ross Lambert
Ross Lambert is a London-based Irish free
improvisation guitarist and 'magnetic and vibrating
sources' player, visual artist, and writer. He has
collaborated with many musicians, UK-based and
international, on the London improv scene,
including Tetuzi Akiyama, Ami Yoshida, Jean-Luc
Guionnet, Paul Hession, Rhodri Davies, John
Butcher and Evan Parker, as well as his close friends
Eddie Prevost, Seymour Wright, and Sebastian
Lexer.
Saturday 9th September
Cambridge-based Pete Um utilises
electronics and sound collage to
support his strange song/poems, a DIY
news anchor reporting on atmospheres,
feelings, emotional weather and
adjacent shit.
Pete Um
New-York based ensemble Viv
Corringham, Marcus Cummins,
Dave Mandl and Stephen Moses
released their debut album, Stuck
Like Jane Austen, on OTOroku
earlier this year.
Time Trout
Ross Lambert
Pete Um
Doors: 8:00pm - Start: 8:30pm
Kiosk bar opens 1 hour before doors.
Tickets: £7.50 adv / £10 on the door
https://link.dice.fm/Da1d3ae4e231
Club Integral at Iklectic
2023.04.28
Time Trout
“Slow Moon’s Rose”
“Caught Being In Love”
Club Integral at Iklectic
2023.03.10
"Ray Vorg is the regenerated alter ego of Nightingales guitarist James Smith.
Expect him to be spinning unearthed out there psych and strange discs from
around the world.
As well as DJ duties, Ray performs as a one man band using organ drones, tape
echo and a wheezing ancient drum machine as a base for improvised guitar wig
outs."
https://twitter.com/jmsmith1970?lang=en-GB
club integral
“Black Bohemian”
“BoySpeak”
“Waterfalls”